KO1KEYZ takes its 6.98 million votes on the road before debut
KO1KEYZ sets Tokyo, Kobe and Seoul fan-meetings before its fall 2026 Korea-Japan debut, after a 6.98 million-vote finale.
KO1KEYZ, also rendered in Korean as Koi Kids, has opened its activity calendar before making its official debut. The 12-member group chosen through the final of the Japanese audition program PRODUCE 101 JAPAN SHINSEKAI is scheduled to debut simultaneously in Korea and Japan in fall 2026. Before that debut, the group has already confirmed fan-meeting stops beginning in Tokyo in August, continuing to Kobe, and then moving to Seoul in November.

The new team's first task is clear. KO1KEYZ must show how quickly the fan support built through voting can be converted into music releases, stages and paid performances. For an audition-born group, the votes created the starting point, but the next phase depends on whether that attention can be carried into real activity.
The final 12-member lineup was decided with 6,983,025 votes. The final episode was released on Lemino on June 6, 2026, and the final vote total was counted at 6,983,025. Scores were calculated by applying a 70 percent domestic weighting and a 30 percent global weighting. First-place finisher K.DAIKI received 537,456 points.
YOSHIKI, SIYOUNG, SHINHAENG and YUKI followed in the upper ranks. The top five scores in the final were 537,456 points for K.DAIKI, 508,787 for YOSHIKI, 498,627 for SIYOUNG, 481,415 for SHINHAENG and 470,789 for YUKI. From first place through 12th-place TOWA, all of the selected members will begin activities under the KO1KEYZ name.
Those numbers are not only a popularity ranking. The Produce Japan series has built fandoms through Japanese viewer voting, but this season emphasized global release and global voting from the beginning. The decision to schedule a Korean debut at the same time fits that same direction. Instead of gathering fans in Japan first and then moving overseas later, KO1KEYZ is being positioned from its first announcement as a team looking at both markets together.
The names that come to mind first when viewing KO1KEYZ are JO1, INI and ME:I. They are teams produced by the same series, and they have already proved their fandom strength in the Japanese music market. Docomo materials cite JO1's appearance on NHK's Kohaku Uta Gassen, INI's single-sales results and ME:I's rookie-award record. In other words, KO1KEYZ is not starting from an unknown brand.
That also makes the assignment more difficult. Earlier teams expanded their range after first building strong fandoms inside Japan, while KO1KEYZ is arriving with the phrase global boy group attached from the first day its name is being introduced. That description will be tested more coldly on actual stages. If the language of the songs, broadcast exposure, adaptation to Korean music shows and audience response at Japanese fan meetings move in separate directions, the group's early momentum could weaken.
The fan-meeting schedule begins in Tokyo in August, moves to Kobe in September and reaches Seoul in November. According to the official fan-club notice, the first fan meeting will be held from August 21 to 23 at TOYOTA ARENA TOKYO in Tokyo. On September 9 and 10, the schedule continues at Kobe World Memorial Hall.
The Seoul performance is scheduled for November 2026 at Blue Square Woori Bank Hall. Detailed dates and ticketing information will be announced later. That means the fan-meeting calendar has become concrete before the debut album itself.
This is a way of using the advantage of an audition group. Fans who watched the program already know each member's growth process, and they share the final rankings and scores. A fan meeting is a place where that emotion can be confirmed immediately. Still, because the venues grow in scale one after another, the operation has to be more precise. If KO1KEYZ cannot quickly imprint the faces and roles of all 12 members, attention may concentrate on the top-ranked members, and the power of the full team may take longer to build.
The member lineup has now been fixed. K.DAIKI, YOSHIKI, SIYOUNG, SHINHAENG, YUKI, ISSA, KEITO, YURA, RYOGA, RYUJI, KOSUKE and TOWA will move forward together under the same group name.
The gray uniforms and blue stage imagery visible in the official photos clearly preserve the team's Produce-style starting point. After debut, however, KO1KEYZ will need songs that go beyond that marker.
The next evaluation of KO1KEYZ will not end with whether its fan meetings sell out. What matters is whether the debut song to be released in fall 2026 leans closer to the grammar of Korea or Japan, what order the group follows between music programs and local broadcasts, and how familiar it can make the members' names to Korean fans before the Seoul performance in November. The votes from the audition are the starting line. When the team's first song can gather those votes again, KO1KEYZ's Korea-Japan simultaneous debut will turn into a concrete result.